When Art Disrupts Religion Aesthetic Experience and the Evangelical Mind Pdf 6 Mb

When Art Disrupts Religion

Aesthetic Experience and the Evangelical Mind

Philip S. Francis and Foreword by Randall Balmer

• Focuses on the feel of a radical reorientation of religious beliefs and practices through aesthetic experience
• Written in jargon-free style that maintains an academic caliber of theory and ideas without losing a broader entreatment
• An integrated pairing of stories and memoirs with theory and ideas
• Offers insider accounts of Evangelical communities

When Art Disrupts Religion

Aesthetic Experience and the Evangelical Heed

Philip Due south. Francis and Foreword by Randall Balmer

Clarification

The stories gathered in these pages lay bare the ability of the arts to unsettle and rework deeply ingrained religious beliefs and practices. This book grounds its narrative in the accounts of 82 Evangelicals who underwent a ocean-change of religious identity through the intervention of the arts. "There never would have been an undoing of my bourgeois Evangelical worldview" confides one young human, "without my encounter with the transcendent piece of work of Marking Rothko on that rainy afternoon in London'south Tate Modern." "The characters in The Brothers Karamazov began to feel like family to me," reports another private, "and the doubts of Ivan Karamazov slowly saturated my soul." As their stories unfold, the subjects of the study draw the arts as sources of, by turns, "defamiliarization," "comfort in dubiousness," "a stand-in for faith" and a "surrogate transcendence." Drawing on memoirs, interviews, and field notes, Philip Salim Franics explores the circuitous interrelationship of faith and fine art in the modern Due west, and offers an important new resource for on-going debates about the function of the arts in pedagogy and social life.

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When Art Disrupts Religion

Aesthetic Experience and the Evangelical Mind

Philip South. Francis and Foreword by Randall Balmer

Table of Contents

List of Illustrations
Foreword
Acknowledgments

Introduction: Supple Mediums

Chapter ane. Field Sites
Affiliate ii. A Dusty Answer Gets the Soul
Chapter 3. A Manus Outstretched in Darkness
Chapter 4. A Momentary Fulcrum
Chapter five. Hymns to the God I No Longer Believe In

Conclusion: Displaced Transcendence
Afterword: Transitional Surfaces
References
Alphabetize

When Art Disrupts Faith

Aesthetic Experience and the Evangelical Mind

Philip S. Francis and Foreword by Randall Balmer

Writer Information

Philip S. Francis is currently Assistant Professor of Religious Studies at Manhattan College and Melon Postdoctoral Fellow in the Humanities at the Academy of Pennsylvania Humanities Forum. His research explores the shifting interrelationship of religion, art, and sexuality in the modern West.

When Art Disrupts Religion

Aesthetic Experience and the Evangelical Mind

Philip S. Francis and Foreword past Randall Balmer

Reviews and Awards

"Francis' study engages profoundly with the question of how religious communities (and not but 'fundamentalists') preserve their identities, how challenging it tin can be to move away from these inherited patterns of life, and how multidimensional and circuitous may be the role of arts and other humanities on this journeying. And, although written in the American evangelical context, Francis' study offers a challenge to all denominational institutions and theological schools whose role is to preserve and shape their ain denominational identity." -- Helle Liht, European Baptist Federation, Journal of European Baptist Studies

"Offers valuable insights and a rich selection of moving personal narratives about the fraught relationship between the church world and the art world" -- David Hoekema, Christian Century

"Francis' fascinating work offered me new ways to recollect and reframe my ain art education within an Evangelical higher. As an artist and Evangelical, I found the book an encouraging reminder of fine art's ability to disrupt and reorient people's lives. The text is an enjoyable read and may be particularly appealing to those interested in the arts, artful experience, conversions, fundamentalism, and college didactics."--Ryan Stander, Horizons: The Journal of the Higher Theology Society

"[I]northward the age of Roy Moore and Donald Trump...Francis's text provides a timely and rigorous exploration of the benefits of escaping absolute certainty, a clear dissever between those who have welcomed Jesus into their lives and those that haven't, an all-or-nothing commitment to evangelical Christian ontology, and an over-evaluation of a mythical past of truer faith. This text would work well in an avant-garde undergraduate seminar, offering students insightful and approachable accounts of an enormous body of social theory, while also encouraging them to think about their ain various crises of faith, or moments of questioning perhaps inspired by the college experience itself. Similar to My Utmost, When Art Disrupts Religion offers new ways of thinking most conversion beyond common narratives of 'rupture' offered by converts—to or from Christianity—themselves."--Elayne Oliphant, Reading Organized religion

"Can fine art relieve a life? In myriad still, small means this volume answers, yes. By presenting the stories of young people at crucial times in their lives, Philip Salim Francis creatively shows how aesthetic experiences have worked to unsettle rigid fundamentalist Christian outlooks, opening up to greater dialogues on what art might do in relation to religion. Francis makes a compelling contribution to religious studies, but also the humanities on a larger calibration."--Due south. Brent Plate, author of A History of Faith in five½ Objects: Bringing the Spiritual to Its Senses

"Evangelical Christianity is a religion that presses its adherents to sympathise themselves in testimonial narratives that run from ignorance to dramatic illumination, a trajectory toward realization not of the self alone, only the self-configured in a human relationship with its deity. The self can come to long for some other story, which some Evangelicals notice in an explosive run across with fine art. In a searching ethnography and securely rooted reflection, Philip Salim Francis shows how that 2nd story sometimes turns sharply from the tribal life of Evangelicalism, taking a path unveiled past a devotional nevertheless daring engagement with beauty."--David Morgan, Knuckles University

"Neither a nautical chart-filled book of 'conversion' data nor an apologia for those turning away from Evangelical Christianity, Philip Salim Francis offers us a series of rarely asked questions about religion and the arts in light of the personal journey toward self-identity. Highly recommended for those seeking out the inter-relationships between cocky-awareness, religious identity, spirituality, and the arts."--Diane Apostolos-Cappadona, Georgetown University

When Art Disrupts Faith

Artful Feel and the Evangelical Mind

Philip S. Francis and Foreword past Randall Balmer

From Our Weblog

Can art save us from fundamentalism?

London, rain, and Rothko'each was foreign to the missionary encampment on the Navajo reservation where Jakob grew up, in the 1980s. Dorsum and then, he seized every opportunity to share the gospel with his Native American friends, even as they played endless games of cowboys and Indians in the deserts of Arizona:

Posted on March xv, 2017

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